Located on the left bank of the Yamuna river, the mausoleum is set in a large cruciform garden criss-crossed by water courses and walkways. The mausoleum itself covers about twenty-three meters square, and is built on a base about fifty meters square and about one meter high. On each corner are hexagonal towers, about thirteen meters tall.
The walls are white marble from Rajasthan encrusted with semi-precious stone decorations – cornelian, jasper, lapis lazuli, onyx, and topaz formed into images of cypress trees and wine bottles, or more elaborate decorations like cut fruit or vases containing bouquets. Light penetrates to the interior through delicate jālī screens of intricately carved white marble.
Many of Nūr Jahān’s relatives are interred in the mausoleum. The only asymmetrical element of the entire complex is that the cenotaphs of her father and mother have been set side-by-side, a formation replicated in the Tāj Mahal.
Itmad-ud-daula has a special place in the chronicles of both history as well as architecture. This is precisely because Itmad ud Daula is the very first tomb in India that is entirely made out of Marble. This is actually a mausoleum that overlooks the River Yamuna and is a tomb of Mir Ghiyas Beg, a minister in the court of Shah Jahan.
The story of Itmad-ud-daula is an inspirational rag to riches saga. The tomb of Itimad-ud-Daulah is as interesting as the life of the person for whom it was built. Mirza Ghiyas-ud-din or Ghiyas Beg (later known as Itimad-ud-Daulah) was a poor merchant and lived in Persia (modern-day Iran). His wife gave birth to a daughter whom he wanted to abandon for he has no money to feed her but the persistent wails of the infant changed his heart. The baby girl brought a stroke of good luck to her parents, for Ghiyas Beg found a caravan that straightaway took him to the court of the great Mughal Emperor, Akbar. . After Akbar’s death in 1605, his son Jahangir became the Mughal emperor, who made Ghiyas Beg his chief minister or Wazir. Ghiyas Beg was also honored with the title of Itimad-ud-Daulah or the pillar of the state.
Jahangir fell in love with his widowed daughter who processes unspeakable beauty. She was later christened Noor Jahan and went down in the history as one of the most beautiful and artistically gifted women in the world. Jahangir conferred the title of Itmad-ud-daula or ‘Pillar of the Empire’ to his father-in-law. Noor Jahan ordered the tomb after the death of her father in 1622.
Itmad-ud-daula is a pure white and elaborately carved tomb that conforms to the Islamic style of architecture. The Indo-Islamic architecture becomes prominent because of the fusion that this tomb displays. While the use of arched entrances and octagonal shaped towers signify the Persian influence, the absence of a dome and the presence of a closed kiosk on top of this building and the use of canopies talks about the possible Indian influence. From out side, when you take a bird eye view, Itmad-ud-daula looks like a jewel box set in a garden. This tranquil, small, garden located on the banks of the Yamuna was to inspire the construction of the Taj Mahal in the later years.
The first tomb to be built in white marble instead of red sandstone. It marks the departure from the red sandstone buildings of Mughal architecture.Along with the main building, the structure consists of numerous outbuildings and gardens. The tomb, built between 1622 and 1628 represents a transition between the first phase of monumental Mughal architecture – primarily built from red sandstone with marble decorations, as in Humayun’s Tomb in Delhi and Akbar’s tomb in Sikandra – to its second phase, based on white marble and pietra dura inlay, most elegantly realized in the Tāj Mahal.
Location~ in the old city area of Agra
Ideal time to visit~ anytime round the year
How to reach~ Hire a cab or auto from the hotel.
Entrance Fee: Foreigners: Rs 110/-
Indians: INR Rs 10/-
Children below 15 years of age are allowed free entry.
Open on all Days